Posts Tagged Scott Westerlaken

Collaboration

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Scott Westerlaken

Scott Westerlaken

Collaboration is a recursive process where two or more people or organizations work together in an intersection of common goals — for example, an intellectual endeavor that is creative in nature—by sharing knowledge, learning and building consensus. Most collaboration requires leadership, although the form of leadership can be social within a decentralized and egalitarian group. In particular, teams that work collaboratively can obtain greater resources, recognition and reward when facing competition for finite resources.

Having worked in communications through two large recessions I know that the companies that survive are the ones that can adapt to the conditions and own them….. I When times are good, we don’t think to much of a client sending one piece of a project to someone else, yet when times are tight we fight like mad to keep all the biz internal….whether or not it might be a good for the clients needs.

As the economy is starting to come to life like a 1976 Chevy pickup one defining practice will be how companies learn how to collaborate with each other.. especially with their competition… WHAT?! Really…  Think about it.  Take your best competition and their best resources and combine them with yours.  Not only do you benefit but so does your client and you gain a completive edge over any other competition!  This idea came to me a few months ago.  I was doing a SWOT on a new start up and one advantage I targeted was the ability to be able to offer varied solutions to clients based on their needs rather than the start ups offerings…a true reversal of “build it and they will come.”

I also looked at the main competition; small one to five person operations with small operating budgets and internal resources.  This was key, as the experience of the start up organization was competing against 5 to 30 person operations with operating budgets of .5 to 3 million and a vast array of internal resources..  Now imagine my glee when I thought of a company that could pick the best of another, combine with its own best attributes and offer it to clients.  Fantastic!

There are the sphincter tightening moments as you might imagine!  The moments where you feel so exposed that you wondered why you thought an idea was great in the first place!  One of my associates looked over at me during the first project we did this on and said “you got balls man…you realize they could steal this client like no ones business?” Ummmmm yeh…. But I had to have faith that the client could see the value we were bringing to the table and at the same time the competition would see the lack of value by stealing the client as it would end any more collaborations.

Now imagine if larger companies stared collaborating in the same way!  The resource power would be incredible…but here is the issue holding organizations back… A company’s ability to collaborate externally is parallel to how well they collaborate internally.  Look at any number of teams or divisions within a company and there will be issues with how they collaborate with one another…do they all fall on the sword when mistakes are made or do they all duck for cover? Not a good scenario for an external collaboration.

Regardless of how you believe this may or may not work for where you are now, one thing I believe is certain, a company’s lack of fear for collaboration will enhance its prospects of success.  No fooling, it is hard to do you and full of risks.  Clients, I believe, will appreciate that you are looking after their best interest and for the best solutions to their issues…. Now who is next?

SW

With over 25 years of award winning experience in marketing, television commercials, film, video, communications, web, radio, print, and events, Scott has the ability to maintain focus on the big picture and offer a wide range of solutions appropriate to the clients message and budget. He has been recognized with dozens of awards in business, communications, and filmmaking from around the world. For the client, this means a truly unique balance of hands on technical knowledge and high level strategic experience that always leads to unique and creative solutions.

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An Evolution In Advertising & Ads That Make You Go Hmmm.

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I just finished watching the 24th Annual London International Advertising Awards DVD. You gotta love advertising awards reels. After viewing them I always feel that maybe as advertising practitioners we are getting smarter! It’s also a very productive way to waste a few hours watching videos and calling it “research”!

There were a few surprise ads on the reel I had not seen and that blew me away, some that didn’t grab me and some that just left me shaking my head wondering why they rated so high.

The highlight 60 sec. TV spot for me was from Volkswagen. They received a gold TV win for “Dog-Fish”. I loved it on many different levels. The story telling was really well done, the acting was good, but the Visual Effects were fantastic.

Surprisingly, it didn’t win Gold for Visual Effects, that went to Evian “Rollerbabies”, which I find the close up’s of the babies looked really fake.

Truthfully the Evian ad is cute the first time you watch it then it gets more annoying each time around.

The other ad that made me go hmmm was the Nokia N96 gold winning ad “Bruce Lee-ping pong”

Interesting scene, got my attention…but really a Gold for telecommunications? It had me really wanting to see more “Bruce Lee” doing his thing rather than the two folks he was playing….Yet more Hmmmm..

There were some beautiful animation ads this year in the silver category. The Scrabble campaign “Sumo”, “Hula” and “Yoga”. All three also won a silver for original music. I like the ads but personally wonder how well they did for brand and sales.

Bakers Biscuits “Precious Biscuits” spot (silver for animation) was beautiful, but again, I hope it did something for the brand….

Another disappointment, but for different reasons was the Silver winner for Direction, Tampax, “Zack Johnson”. I really think it deserved a gold. The story telling and characters were great.

In a reverse of what the trend has been for years, the Public Service winners over all were a little week. I did like the Gold winner ECPCAT “Child Pornography”, but the silver winners Shelter, “House of cards” , Women’s Aid “Cut” and Anti-Knife Crime (OMG, really?) “Cribs” seemed weak to me.



What grabbed my attention this year was the “New” category. A “New” category?! “Entries for The NEW Category are for work that merges the power of an original idea with a relevant compelling execution. Emotionally inspirational, imaginative work, effectively creating new dialogues, creating new spaces of interaction, altering perceptions, setting new benchmarks that invite and reward at every level of engagement.”

All the winners were fantastic in execution. You got to love clients that are willing to reach out a little…The Grand LIA went to Fiat eco: Drive interesting but I loved a few others more.

“The best job in the world” by Tourism Australia really blew me away when I first heard about it and it still does.

Also the AC/DC Black Ice idea was interesting, especially the Excel spread sheet video…yup, you have to see it to believe it.

The Excel sheet can be downloaded here: http://www.acdcrocks.com/excel/

This category gave me hope that marketers are moving towards an evolution in advertising…when viewers get to a point that they don’t see advertising as advertising…..

All the winners can be found on the LIAA website, http://2009.liaentries.com/winners/ and it’s well worth a look through.  What have presented is just a very small snippet. Would love to hear back on what you liked out of the show!

SW

Scott Westerlaken

Scott Westerlaken

With over 25 years of award winning experience in marketing, television commercials, film, video, communications, web, radio, print, and events, Scott has the ability to maintain focus on the big picture and offer a wide range of solutions appropriate to the clients message and budget. He has been recognized with dozens of awards in business, communications, and filmmaking from around the world. For the client, this means a truly unique balance of hands on technical knowledge and high level strategic experience that always leads to unique and creative solutions.

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Back To The Future Of Advertising.

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Have you ever noticed that advertising goes around in circles…we all know it does.  If you look back all the way back to the 20’s and track advertising concepts and styles you will start to see trends coinciding with the economic conditions of the era. More to the point, with every economic down turn you see a return to family values and wholesomeness and how those characteristics relate to the product or brand being advertised.  Case in point the “I’d like to buy the world a Coke” campaign

that débuted February 12, 1971, or how about the “Mean Joe Green” Coke ad of 1980

and Kellogs,


or Greyhound.

All of which debuted during economic recessions.

In difficult economic times people want good news.  They want that feel good feeling. They need a friendly brand they can lean on and feel good.  I wouldn’t be surprised to see updated versions of “The Waltons”, “Family Ties” or “America’s Funniest Home Videos”…oh wait that one is still on air!  Of note though, all were created when a down-turned economy left folks wanting to feel better.

So what does it mean?  It means we should be ready for lots of heart-warming family value spots and scheduled programming that reflects the times. It also means that if your marketing is not paying attention to what is going on in the typical family then you might be missing out.

SW

Scott Westerlaken

Scott Westerlaken

With over 25 years of award winning experience in marketing, television commercials, film, video, communications, web, radio, print, and events, Scott has the ability to maintain focus on the big picture and offer a wide range of solutions appropriate to the clients message and budget. He has been recognized with dozens of awards in business, communications, and filmmaking from around the world. For the client, this means a truly unique balance of hands on technical knowledge and high level strategic experience that always leads to unique and creative solutions.

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Someone Call A Doctor!

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Scott Westerlaken

Scott Westerlaken

Recently I had a conversation with someone who was bragging about their camera system and needing just one more lens to have a complete kit.  I asked her if she had tried the full frame model from the same camera manufacturer she currently used.  She replied that she had that model.  Thinking that she didn’t understand, I asked her again. “Have you tried the 22 megapixel full frame version of that brand?”  She repeated that was the one she has  “BUT it wasn’t 22 megapixel, it’s a 10 megapixel, 35mm SLR.”  I started to explain the different sensor sizes then stopped…why should I?  This person shoots stills for her clients now and bills them for doing so.  She should know the gear right?

As equipment becomes better and more affordable I am clearly getting more confused over what constitutes a pro photographer or videographer, or am I?   Does act of selling or be paid for your work make you a pro? Does it mean that you can now go around saying you are a “pro photographer” or “videographer” even if you don’t know the basics taught in first year photography or film school?  Not to say these folks don’t get great shots, but I have always thought there was more to being called a “pro” than that.  If I performed CPR on someone, does that make me a Doctor?

SW

With over 25 years of award winning experience in marketing, television commercials, film, video, communications, web, radio, print, and events, Scott has the ability to maintain focus on the big picture and offer a wide range of solutions appropriate to the clients message and budget. He has been recognized with dozens of awards in business, communications, and filmmaking from around the world. For the client, this means a truly unique balance of hands on technical knowledge and high level strategic experience that always leads to unique and creative solutions.

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Baxter Milk, Internet Evolution, and the Forecast!

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Scott Westerlaken

Scott Westerlaken

Just a quick note that we haven’t forgotten about you!  In the past week, I have been picked up as a writer by international Blog/E-magazine Internet Evolution (http://www.internetevolution.com) and have been focused on getting my first article with them online…I promise to have a new article for the PHI blog in the next week!  If anyone would like to suggest a theme, please speak up!

Al Graham is working on a fantastic entry that is sure to enlighten and entertain and Chad is also working on another that should again raise some hackles!

Last week was also the launch to an ad we collaborated on with Wright Agency, Colin Timm and Hatch Post.  Directed by Gordon Miller, the ad is a great juxtaposition of milk and family values… love to hear you opinion!

SW

With over 25 years of award winning experience in marketing, television commercials, film, video, communications, web, radio, print, and events, Scott has the ability to maintain focus on the big picture and offer a wide range of solutions appropriate to the clients message and budget. He has been recognized with dozens of awards in business, communications, and filmmaking from around the world. For the client, this means a truly unique balance of hands on technical knowledge and high level strategic experience that always leads to unique and creative solutions.

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I-Spy

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Scott Westerlaken

Scott Westerlaken

I spy on my competition.  I’m very open about it.  I do it ethically by monitoring their activity on the web (as I have written about before, http://www.phigroup.ca/blog/2010/01/narcissism-or-market-research/).  It’s all above board and such.  I consider my competition’s internet conversations to be the same as them having a conversation in a public place…they should expect to be over heard.
Recently I was sent an unsolicited email from someone who was using an automated email marketing “solution” and a whole bunch of issues on privacy and expectations came flooding back to me.  The email marketing “solution” in question was one I had used years earlier and truthfully kind of bothered me with all the info they collected from the recipient who opens the email. At the time I decided that it was not for “me” as I felt my clients would be upset if they ever found out.

This leads me to my biggest email pet peeves. If I don’t know you, don’t send me a blanket email asking for money for your son or daughter’s band trip to Europe.  Don’t put my email on a mailing list just because we connected on LinkedIn, Facebook, or Twitter!  Finally, my BIGGEST….DON’T monitor what emails I did read, forward and/or the time I spent on something you sent me that I might have found interesting enough to read.  It’s MY email once I get it and if you want to know what I do with it, ask me.  With a lot of the email marketing programs this is exactly what they do, but they don’t ask!  They report back a bunch of stat’s (they vary from program to program) about who opened, blocked, forwarded (and to whom, where it starts again), how long they spent with the email open, how many times they opened it, the operating system, email program, and more.  ALL without the reader’s acceptance to share that info.  Further, they don’t even knowing that it’s happening.

I was having one of “those” days I and so opted out and finally put the keyword block on for the offending “solution”.  I tweeted this and the reaction (or lack there of) was kind of surprising.  Folks liked the offender and marketing solution they offered!  They liked being able to add people without an “opt in”!  They didn’t really care about all the data that was sent without the reader knowing or allowing.  I was blown away!  Aren’t we the same folks that get’s peeved when Facebook uses our data and info without our knowledge?!

blocked emailA friend emailed about why I took the actions I did as they were about to recommend the same “solution” to their client.   I explained my feelings on “opt in” and having people know exactly what info they are giving to someone else, rather than not telling or hiding it.  They are reconsidering now…I felt a little better about her “reconsideration” though I know it’s probably too tempting for the client…and if they don’t do it their competition will.

So, here I am.  Feeling like a lone crusader once again… Feeling that if we knew “all” the info that was being collected with those fancy HTML emails (and I know I don’t know what the “all” is) we would be darn upset!  Maybe not…. I know my solution for now is to block certain company keywords…maybe next it will be HTML…

SW

With over 25 years of award winning experience in marketing, television commercials, film, video, communications, web, radio, print, and events, Scott has the ability to maintain focus on the big picture and offer a wide range of solutions appropriate to the clients message and budget. He has been recognized with dozens of awards in business, communications, and filmmaking from around the world. For the client, this means a truly unique balance of hands on technical knowledge and high level strategic experience that always leads to unique and creative solutions.

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Shoot the messenger?

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Scott Westerlaken

Scott Westerlaken

Despite popular opinion to the contrary, the Internet has not killed traditional TV advertising as a viable medium to promote products and services. In order to survive though, the network and local station approach to TV advertising that has to change in order to improve viewer engagement.

It’s no secret that ad revenue is WAY down.  Now part of this is the Pull(getting the programming you want now) versus Push (you watch what the network broadcasts) of the under 40 generation. Looking at this from a bigger picture, this is not the first time a medium has faced adversity and survived.  Think of the theatres during the eighties and the VHS revolution then radio with tapes and 8 tracks.  They all survived by figuring out the core value of their proposition, experience and entertainment.  TV can still AND IS doing that! The true reason TV is suffering is because the Networks and mostly the Local Stations are killing their own business by running bad ads, thus ruining the package for the audience.

Fundamentally we don’t mind watching for ads. Come on, think about it!  There are a number of tv shows that show nothing but the best or funniest ads from around the world.  Every year the Cannes and London International Awards reels tour major city theatres.  People will actually go to a theatre of all places to watch ads!  People don’t hate advertising, People LOVE advertising, if it’s GOOD!

Every time the networks and more importantly the local stations run a bad ad, they are in essence running a bad show.  In doing so they are forcing the viewer to look in other places for what they want, entertainment!

One quick cure for this is to treat the ad space with the same value as they treat the rest of the air time for programming.  This now puts a greater value on the space as people will want to watch (just like the show they tuned into did) and could also increase the monetary value placed ON the air time!  You are also giving the audience a complete experience rather than an incomplete one.

Unless the Networks and Local Stations put a higher value on the ad space, why should the media buyers and audience?!

SW

With over 25 years of award winning experience in marketing, television commercials, film, video, communications, web, radio, print, and events, Scott has the ability to maintain focus on the big picture and offer a wide range of solutions appropriate to the clients message and budget. He has been recognized with dozens of awards in business, communications, and filmmaking from around the world. For the client, this means a truly unique balance of hands on technical knowledge and high level strategic experience that always leads to unique and creative solutions.

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Nothing is Free…EVEN when you think it is!

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Why not let the station do your low budget ad? After all their creative and production comes FREE!

First, let’s get one thing straight.  Nothing is for free…especially in advertising!  If it is free, there are probably a hundred reasons not to get involved.

Right now there are a ton of deals being offered by the stations for air buys and they’re desperate to get your money.  The offers may range from 2x the frequency of your buy up to and including free production of the ad.  I’ll say it again…you get what you pay for!

Why?

We all know the kind of quality ads the stations normally produce, not exactly the cutting edge, cut through the clutter kind of stuff. If you are there because you get double the exposure ask yourself if it is good enough that you’d want to see that commercial twice as many time as normal.

If all you have to talk about is price, and nothing’ but price…you should be doing your ads at the local station! But, for some reason I think about 90% of the advertisers out there doing ads with the station have something more than price to offer…but it’s not coming through!

If your attitude is “I don’t care what it looks like, as long as it’s on air because if I’m on air, I’m top of mind…good or bad!”.  Remember, if you buy into the station producing your ad, you are more than likely locked into “that” station for the rest of your buys with that ad. Most will not release the ad to another station, especially if they gave you a discount (Free) to get it done!  This now leaves you with having to go through production again if you want to buy airtime somewhere else.

So what’s the solution?  The alternative to a station produced ad is using a creative production film/video company to produce your ad.  Until recently the costs for doing so where very expensive due to the cost of cameras and editing facilities. Well, times have changed. With the advancements in cameras and computers within the last two years, this is no longer the case!  Production fees are less and far better quality than that of the station.  We can produce a commercial with the same production look that used to cost upwards of $65,000 5 years ago for a lot less that that now. We can use custom cameras that shoot with the same cinematic qualities of a 35mm film camera and there have been huge advances in processor speeds for editing!  Now, add to that access to some of the best creative writers in advertising and you get a value-add that the stations can’t possibly match.

SW

Scott Westerlaken

Scott Westerlaken

With over 25 years of award winning experience in marketing, television commercials, film, video, communications, web, radio, print, and events, Scott has the ability to maintain focus on the big picture and offer a wide range of solutions appropriate to the clients message and budget. He has been recognized with dozens of awards in business, communications, and filmmaking from around the world. For the client, this means a truly unique balance of hands on technical knowledge and high level strategic experience that always leads to unique and creative solutions.

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Real Estate Marketing Trends

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housesIn the last few months I have been doing intense market research on real estate marketing and trends.  Not that it should come as a surprise to anyone but, things are changing.  Things are changing fast!  Just look at the USA market and you will quickly see where we are headed – when times are tough the strong, the quick to adapt and the most innovative succeed.

There is a strong move to the internet in the USA, not only how the client uses it, but the way Realtors are (or in some cases not) using it!  Just as the cell phone and email revolutionized the way Realtors did business, the internet is also changing the way business is conducted and won!

According to two different studies conducted in the USA, 80 to 95% of sellers and buyers are finding and researching their broker and agent on the internet before engaging their services.  If your web page hasn’t been optimized and isn’t regularly updated, then this should scare you into action!

The move to Facebook pages and Twitter is growing, but experienced brokers are still ignoring it’s potential to drive both sales and client acquisition.  Furthermore, Twitter searches conducted by home buyers or sellers is a growing practice and if you’re not monitoring your brand (or real estate in general) in this space, then you’re missing out!

Photo tours are still dominant in real estate, but a growing use of video to improve the client’s experience, the Realtor’s brand perception and the listing’s visibility is substantial.  The move to video tours has increased by up to 96% from 2008, with the top reason being home sellers love not having to disrupt their lives for numerous showings.  Further to this is the increase in search weight, caused by the rich media on the brokers’ site, while also providing a more engaging experience for home buyers.  Video is being used as a marketing tool to elevate the agent or broker’s brand perception, in addition to providing property-specific details.  A good example (if we do say ourselves) are the videos we did for Polycorp.

What does this all mean? Real estate brokers should be embracing the new tools available to them and encouraging agents to participate in social media.  It’s no longer good enough to have a static brochure on the website.  A broker’s site needs to be optimized for search, it should also be dynamic and engaging. Otherwise, the site simply gets lost in the search traffic maze.  And the best part is: Search Engine Optimization (SEO) and most “social media” initiatives cost very little to implement and video content can be produced for as low as $50.

There are some pitfalls that real estate professionals need to keep in mind, however.  Everything you put out there must relate back to your brand. Just like you would not send out a newsletter that was poorly written and badly laid out, the same holds true for your social media and video efforts.  If you are setting up Facebook and Twitter accounts, they need to be branded and even more importantly, full of useful information for your clients that is updated regularly.  With video tours, also keep in mind that you need to keep it branded.  Think of video in the same way you would a brochure.  It all reflects on “how the client will view doing business with you”.  There is no shame in asking for help in these areas…your expertise is in the real estate business!

I can’t imagine a Realtor in this day and age saying they don’t have a cell phone, or email.  It’s fundamental to the way business is done today.  The same will be said about Facebook, Twitter, and websites with rich content in the next year or two!  We have been working on a few innovative ideas for clients and how they can use Facebook, Twitter and video to increase sales, client appeal and branding.  I would love to see some great examples of how others are also doing so, whether in real estate or not!

SW

Scott Westerlaken

Scott Westerlaken

Scott Westerlaken

With over 25 years of award winning experience in marketing, television commercials, film, video, communications, web, radio, print, and events, Scott has the ability to maintain focus on the big picture and offer a wide range of solutions appropriate to the clients message and budget. He has been recognized with dozens of awards in business, communications, and filmmaking from around the world. For the client, this means a truly unique balance of hands on technical knowledge and high level strategic experience that always leads to unique and creative solutions.

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Good Ideas + Good Team = Effective Ads

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I wrote a blog previously on cost effective TV ads but a couple more points have come to mind.  Shoot with the appropriate equipment that achieves the “look” you are aiming for and secondly, and not least of which, work “within” a team that will support you and your goals.

Too many good ideas, good people and good crews are ruined due to trying to achieve too much with too little.  A few years ago I did a series of ads with Page and Wood and Kim Dunn for McKenzie College.  Kim came to me early in the process with ideas and concerns about how to achieve the concepts with the minimal budget available.  This is where I came up with “if the creative can’t be executed well for the money available then adjust the creative to fit what it can be shot for”…meaning make it so that if it could only afford to be shot on video, make sure the “video” look would work creatively!  Kim pulled it off in spades.

More recently I was presented with a similar situation for a set of National TV spots for Herbal Magic.  I did some research and found the company very respectable and early on in the process found them fantastic to work with.  I am a champion of under dogs and go to the wall if I feel they value the effort and they did.  The Director(Tony Sasso) and I worked on a bunch of solutions to make the dollars stretch more than I thought possible.  We all new the limitations and all of us were looking for solutions rather than problems.  This went from the Client, to the star talent (Elizabeth Manley), to the Director, to the sound person and myself.  Now I don’t think we did award winning ads in anyway, but we did do ads that accomplished the clients’ goals, that are respectable and effective.  What more could you ask for?

Now, for those of you who happened to watched the US broadcast of the Super Bowl, you may have noticed Google’s “Parisian Love” ad.

Not only was it the least expensive ad that aired in that time slot it’s probably the least expensive ad that has aired for an international company in any time slot.  The spot proves a small budget doesn’t have to mean ‘low creative”, in most circumstances it means being more creative!

I would love to see some more examples from around the world and welcome your comments!

SW

Scott Westerlaken

Scott Westerlaken

Scott Westerlaken

With over 25 years of award winning experience in marketing and communications, television commercials, film, video, web, radio, print, and events, Scott has the ability to maintain focus on the big picture and offer a wide range of solutions appropriate to the clients message and budget. He has been recognized with dozens of awards in business, communications, and filmmaking from around the world. For the client, this means a truly unique balance of hands on technical knowledge and high level strategic experience that always leads to unique and creative solutions.

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