Posts Tagged Advertising History

Trust Me!

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Back around 2005 I had an office that when you walked through the main door you were in our production pit. It was usually fine because we were a production company and we didn’t get any walk in business.

One day though, a guy walks into our office and says loudly “Hey there! How ya doing?” We all get up and someone responds, “Hey! Good. You?”

We all look slightly confused as not one of us recognizes the person right off the bat.

He goes on “What are ya doing today? You busy?”

Me, “Fairly. A few things on the go…how about you?”  I’m being extremely friendly, wracking my brain as to who this person is. I’m starting to panic as he knows us and by the look on everyone’s faces we don’t know him! Is he a client?! Is he crew?!

Him-“I’m great! I was thinking about you folks the other day so I thought I would drop by.”

I’m fucked.  I really don’t remember this guy…not uncommon as our client/supplier list is well over 400 people but normally with everyone around we should have someone able to place him…I get the courage.  “I’m so sorry.  I can’t remember your name…”

Him- “No problem it’s Bob! So, the office looks great!”

Me- “Bob, sorry, but how do I know you?” I say smiling.

Bob- “Well, I don’t know if you do, but I have a great selection of books that I’m offering to select company…” I interrupt.  “Wait…You don’t know us?”

I’m not going to say what happened next…it just got stupid..

Funny story and it’s true.  But what’s my point?  There is a line that can’t be crossed during any point in the sales cycle but especially at the very beginning.  Don’t pretend that you know me.  Be friendly and welcoming but don’t fake a relationship!  For me, the second I loose trust within the cycle, I’m out of it and usually very peeved for someone wasting my time.

Now you’re thinking “Bob” is a pretty rare occurrence, but he isn’t.  We just need to see all the “Bob’s” out there for who and what they are.

A few days ago I got an email telling me about a local service.  The way the email was formatted it looked like I would know the person or the company.   I had to wrack my brain the same way as with Bob, only to discover, I didn’t know them! It was a bloody waste of time trying to figure out a connection because there wasn’t any.  It was Spam.  Spam, Spam, Spam!

One of the main rules in sales is you need to gain the targets trust. These people didn’t, in fact just the opposite.  They had no clue about it and it seems to be happening time and again with many other companies and their email marketing.  You get added to an email list, ad hock and without your knowing.

There are multiple reasons for having a person’s permission before adding them to an email list.  The most serious is, without permission, your email is Spam and believe it or not, most hosting companies have rules against sending Spam! I have actually seen hosting companies have their entire list of clients banned from sending emails to other hosting companies.  As such most hosting companies take Spam very seriously now.  Less serous legally, but more important for your sales, you loose your chance to have a conversation with your prospect if you are in the junk mail folder or worse, pissed them off!

Being friendly I sent the Spammer an email a day later explaining a little about email marketing and a couple of pointers as to how she might have been a little more successful in contacting me…….I don’t think she gave a rat’s ass… I believe she thinks, as most people who make the same mistake do, Email Marketing is suppose to be easy and people being pissed off about Spam is just part of the course.  It’s not!  Email Marketing can be a rewarding relationship, if you offer something of value.  If you do, chances are the recipient will let you keep emailing them giving you multiple chances at a sale.  If you offer no value and have not taken the time to make it of value then why would we keep letting you fill our in box and wasting our time?

On the surface Email Marketing  just looks like it would be getting and managing a mailing list.  It’s not. If your are going to put people on an email list, at least take the 20 seconds (if that) to send a personal email to them asking to do so…  Gain a little bit of trust first and then build on it!  It also allows them to say no and them saying no is not all bad.  It gives you information on the prospect (email is legit, signature bar, etc), starts a conversation and allows you to tailor the message better to that prospect and to others (they might have unique needs that you didn’t know about and didn’t tailor your introduction message to).

Let me help you just in case you are still not going to make the effort….

 

Dear (insert company here),

I have come across your company while researching possible clients for our services.  Every now and then we send out information that you might be interested in about (what you do/sell).  We promise that you will find it of use and interesting.  If you don’t want to be included on the mailing list, please let us know and you will not receive anymore emails from us.  Further after receiving any future emails, you can still decide at that time, not to receive anymore.

Thank you for your time and hope we can be of service to you in the future,

 

(your name here..YOUR REAL NAME!)

 

Please feel free to cut and paste, but remember to replace (insert company here) and (your name here) with the appropriate information….nothing says stupid like getting emails with it still there…and I do get them!

 

Anyone remember the old days of Fax spam? …….. Ok, there used to a machine that, when connected up to a regular wired phone line, would transmit black and white images to another Fax somewhere else. Some companies would hire a “Fax marketing company” to send out Spam Ads to any and every fax number in a select area.  It was all about “the list”.  Cheep flights, cheap cruises, cleaning, Fax and copy repair, you name it, it would just appear on your fax machine eating up your toner, paper and God forbid…your thermal paper roll!

Well one day some bright fellow thought of a way to get even.  They would find out the advertisers business Fax number and send them a looped black page, called a “black fax”…ok…A what? A black fax was exactly what it sounds like.  You would tape four pieces of black paper together with a strip of exposed tape at the top so you could join the bottom piece into a roll.  You would dial the offending number, hit send on the fax and as the paper starts feeding through you would take the leading edge of the paper that just went through the Fax scanner and attach it to the last edge so you have an endless loop of black. Unless the person on the other end is paying attention to their Fax, they would end up with no toner or paper or worse….AN EMPTY THERMAL PAPER ROLL!

To the Fax marketing company and their clients, the “list” was everything, until they got feed back (pay back?) from the folks who they pissed off.  Don’t let your email marketing be like Fax Spam! You have to see your prospects as more than a list.  You have to earn trust and the first step in email marketing is to do that!

If anyone discovers a “black fax” trick for spam email, please let me know.  Also, I always wondered whether “Bob’s” tactic worked well in large offices where there was a certain amount of anonymity….I wonder what he is doing now?

 

Scott Westerlaken

With over 25 years of award winning experience in marketing, television commercials, film, video, communications, web, radio, print, and events, Scott has the ability to maintain focus on the big picture and offer a wide range of solutions appropriate to the clients message and budget. He has been recognized with dozens of awards in business, communications, and filmmaking from around the world. For the client, this means a truly unique balance of hands on technical knowledge and high level strategic experience that always leads to unique and creative solutions.

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Old Spice Versus Dairy Queen

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Someone once said that imitation is the highest form of flattery. Ok marketing mavens out there! You may or may not have heard me rant over the last year about DQ’s ads, but now that some of you have actually started noticing them I think they are worth another look. What I want to talk about is the apparent blatant imitation. Let’s call a spade a spade; the DQ ads are a rip off of the Old Spice ads (I’m the man you wish you had) that shook the ad world for their recallable-ability. Rip offs really make angry as I’ve had ideas stolen on more than one occasion!

I really loved the previous iteration of the Old Spice ads; heck I even bought some Old Spice deodorant as a result of those ads. For context here is a link to one of the ads.

Very smart creative and brilliant execution…a winning combination.

Simply stated, DQ did a lousy job of stealing the idea. You be the judge….

 

I find the DQ ads childish and…I believe the campaign is a one trick pony, nowhere near as visually and mentally interesting as Old Spice. The DQ campaign has no legs, whereas the Old Spice work is built around a concept that continues to reveal new ideas and executions. Don’t believe me…take a look at the posts and at the views on the Oldspice youtube channel.  http://www.youtube.com/user/OldSpice . That means it continues to get consumer attention. I even see the Old Spice “I’m the man” campaign with even more legs than the Budweiser “true” campaign from many years ago.

 

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Back to the point, no one I know in the ad world would have the brass balls to steal a currently running campaign’s big idea. And what really astonishes me about the current DQ creative is that they have done some really creative work in the past.I relate the DQ idea to “we need an idea for this years TV marketing…think quick!  As our current campaign is tanking…

 

Maybe, maybe not.

OK now I vented my spleen it is your turn to comment. Am I right or simply righteous.

 

SW

Scott Westerlaken

With over 25 years of award winning experience in marketing, television commercials, film, video, communications, web, radio, print, and events, Scott has the ability to maintain focus on the big picture and offer a wide range of solutions appropriate to the clients message and budget. He has been recognized with dozens of awards in business, communications, and filmmaking from around the world. For the client, this means a truly unique balance of hands on technical knowledge and high level strategic experience that always leads to unique and creative solutions.

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The perils of sponsorship

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Over the course of the last 11 years I have sponsored a number of events and charities.  Some, I have felt were quite worthwhile, some have been absolute disasters and most have fallen somewhere in between.

 

I believe pitfalls that have the potential for disaster or are just irritating are easily avoided by the paying attention to what is being offered up front and making sure your investment will result in positive PR.

 

One of my biggest peeves is feeling like our contribution was not appreciated.  I want to feel that no matter how large or small our sponsorship package is, that we are recognized. There is nothing worse feeling that you are only sponsoring the main sponsors PR campaign. Not to take anything away from the main sponsor’s importance but there have been a few times where it was quite clear it all revolved around them and the other sponsors were forgotten about.

 

A few times I have sponsored events and find out there is no formal contract. Why has this been a problem? It always seems that when there isn’t a contract the organization keeps asking for or demanding more dollars, time or resources then originally agreed upon.  Now we will not do any sponsorships without a contract…if they don’t have one then I’m out no matter what!

 

 

When I’m sponsoring I am acting for a business and we need to get something in return for the dollars or resources’ that would normally be used elsewhere making us money. I’ve had numerous conversations with sponsorship coordinators about the how money we would be spending on a sponsorship would be better spent buying tickets.

Sometimes, there is a very limited amount of value having our logo on a golf tournament hole flag or signage that 100 people walk by.  I look at these situations with a cost per impression perspective. $500 for 100 impressions?!

 

Worse than limited reach is investing in events where the organizers don’t remember you or remember to send you a thank you. It’s like the event and your donation/effort never happened. But your cheque was cashed and you can count on a call next year  Fool me once!

 

So, how do I protect myself now? A great, well spelled out contract. If it is a dinner sponsorship and includes seats, I want it spelled out where the seating will be (after spending a $1000 for a table once we were placed at the back of the room, yet there were non sponsor seating (who where connected to the event planner) 2 tables closer!). If it’s signage, I want to know where it will be and how long it will be up, how big it can be and who is responsible for set up and take down (big point as that’s extra $$ on your part if you have to handle it). If it’s a services donation, I ensure the last little detail is spelled out..including if food will be supplied and what it will be as there is nothing worse than having a crew complain and charge you meal penalty because the food went missing or was unacceptable (I once had an event planner try to pass off non iced oysters covered with flies for crew lunch!).  The final test to see if we get involved is the actual committee involved.  If it is a respected group of people, chances are you will only be annoyed if something doesn’t pan out, if it a couple of students…well lets just say we’d recommend staying away!

 

Would love to hear your thoughts and experiences on sponsorship!

 

Scott Westerlaken

Scott Westerlaken

With over 25 years of award winning experience in marketing, television commercials, film, video, communications, web, radio, print, and events, Scott has the ability to maintain focus on the big picture and offer a wide range of solutions appropriate to the clients message and budget. He has been recognized with dozens of awards in business, communications, and filmmaking from around the world. For the client, this means a truly unique balance of hands on technical knowledge and high level strategic experience that always leads to unique and creative solutions.

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The Video Production Process

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A while ago a client came to me very confused.  He didn’t know what we expected of him, yet we had just explained the critical path to him at the last meeting and left him with a list of “to-do’s”.  He then confessed that despite being in marketing for a number of years, he had never done video before and didn’t know the process.  He was concerned about the next steps beyond his list and the small details in the critical path laid out at the start of the project.

That was the first time I had someone confess like that and I had a few emotions.  One, I was incredibly happy that we had the type of relationship that he felt he didn’t need to hold back about his concerns and two, I was kicking myself as I had never really laid out a process for making videos.  I have talked clients through the process and made critical paths, but never a process document.  The first thing I did when I got back to the office as spend the next three days laying out “our” process.  I think it will be helpful to all if we share it with you.

PLANNING

Client contacts PHI with interest in having project produced.

Clint supplies PHI with the following information in order for PHI to understand the project and scope:

Message to be expressed within video

Target Audience details(age, gender, education, knowledge of message)

Locations which footage needs to be acquired

Any collateral material

Format of delivery

Specific people that need to be shot (if known)

PHI supplies Client with a Project Work Order which includes a rough estimate for creative, production and payment terms of video.

Client requests changes to Work Order or signs off and supplies PHI with Purchase Order (if required for invoice payment).

PHI sends deposit invoice to Client.

Client sends PHI payment on invoice.  This payment initiates the start of the Project.

RESEARCH AND CREATIVE

PHI meets with Client to discuss messaging and target.

PHI creates 1 to 3 creative ideas(treatments) to solved the messaging.  We do this by researching, interviewing, and discussing the messaging and the target.  This process is one of science and magic.

PHI and Client meet to discuss the creative solutions and Client picks one they like the most.

PHI then develops the creative into a script or outline depending on the solution and approach to the video.  Scripts are good for educational and some marketing videos.  Outlines are great for marketing videos that require interviewing real people to get statements and testimonials.

PHI presents the script or outline to client for signoff.

PHI adjusts budget to reflect final creative and gets signoff if total amounts have changed.

PREPRODUCTION

Depending on the script or outline PHI may do the following:

Storyboards (pictures illustrating the story)

Animation wire frames

Design elements

Research stock footage

Research and find key on screen interviews

Schedule and book travel.

Survey key locations

Cast for on-screen and off-screen talent

PRODUCTION

PHI hires talent and crew (if necessary)

PHI books equipment

In collaboration with Client moves to Footage Acquisition (shooting, stock)

POST PRODUCTION

PHI loads footage into edit system

PHI logs footage

PHI sends selects to Client or Interviewees for approval (if required)

PHI does a ROUGH CUT:

This is where the story is put together.  Most times it will lack colour correction (colour is off, images are too bright or too dark), mixed audio (meaning it might be louder or softer in places), music, graphics, animation.  It may also have time code (numbers at bottom of the video that indicates the frame you are watching and used for people to give us a reference time in the video).

The Client will normally have multiple times to view and make changes to the rough cut.

PHI will also start sending music files to client for review in needed.

PHI does a FINAL CUT:

All the elements come together (final cut of video, music, mixing of audio, graphics, animation, and the colour correction).

Client signs off on the final cut.

COPYRIGHT

Client makes final payment to PHI in order to receive usage rights.

DUPLICATION/USAGE

PHI delivers final deliverable (DVD’s, Blu Rays, Data Disks and/or web uploads).

EVALUATION OF MESSAGING(if budgeted)

PHI researches the effectiveness of the project messaging.

Scott Westerlaken

Scott Westerlaken

With over 25 years of award winning experience in marketing, television commercials, film, video, communications, web, radio, print, and events, Scott has the ability to maintain focus on the big picture and offer a wide range of solutions appropriate to the clients message and budget. He has been recognized with dozens of awards in business, communications, and filmmaking from around the world. For the client, this means a truly unique balance of hands on technical knowledge and high level strategic experience that always leads to unique and creative solutions.

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Just because you own a car doesn’t mean you’re qualified to drive an F1 car!

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It started about five years ago when semi pro equipment started to become more financially within reach. Although my friend Al Graham says it all started in 1984 when the first Mac hit the market. Everyone with a camera and a Mac can now thinks they are qualified to do your company’s communication.

But I beg to differ… there is a lot more to telling your company’s story than just the accessible equipment, images and music! To craft an effective message your communications company must know more than the latest technology, they need to understand marketing and effective messaging to create a story that enhances your brand and objectives!

Hell, they might even have some insights into you potential target audience. It’s important that your communications team looks at what your target is looking for and not just what “you” want to say. The two are different and some folks can’t get over the “what I want to say is…”

The way I like to look at effective communications is by putting myself into the target’s shoes. What is going to motivate me to take the desired action and the opposite, what will I find un-motivating, boring, and or not important in the proposed messaging.

Your communications company also needs to have the experience, training and balls to tell you what you don’t need to say or show when you ask for something irrelevant to the messaging. Don’t you love seeing the TV ads where the entire family of the business owner is used in the commercial?! That really enhances the messaging!

We did some great videos for Inland Technologies this past fall that we have been using as great examples of getting specific points across to the target, and also avoiding technical points that, although vital to the making the services work, are not really vital to the viewer making the initial decision to initiate the sales cycle. Their President really summed it up well, “the services we provide are to make the clients problems disappear”.  Funny, but I think that a lot business’ forget that is really what they do! Would love to get your thoughts.

Scott Westerlaken

Scott Westerlaken

With over 25 years of award winning experience in marketing, television commercials, film, video, communications, web, radio, print, and events, Scott has the ability to maintain focus on the big picture and offer a wide range of solutions appropriate to the clients message and budget. He has been recognized with dozens of awards in business, communications, and filmmaking from around the world. For the client, this means a truly unique balance of hands on technical knowledge and high level strategic experience that always leads to unique and creative solutions.

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What we have here is a failure to communicate.

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When it comes to customer service it occurs to me that the Captain in Cool Hand Luke nailed it.  Why do airlines and banks fail so badly in customer service?  Could it be that they have set themselves up for inevitable failure with their marketing and advertising that emphasizes “their dedication to friendly, happy service.” The expectation of customer service in banking and the airline industry has always been frustrating to me….but it has nothing to do with Customer Service….does it?  The definition of customer service according to Wikipedia  “Customer service is the provision of service to customers before, during and after a purchase”. So simply providing you with the service or goods you paid for within an allotted time could be construed as good customer service….No?

I believe most of the frustration most people feel when dealing with banks and airlines arises from not realizing or not wanting to realize that they are no longer in control once the financial transaction has taken place.  It’s one of the few situations in life in which we pay for a service and have no control as to the out come or how we are treated during the process.  Once we are engaged in the transaction, we can do very little if anything at all and any action on our part usually results in financial penalties being charged. If service is horrendous in a restaurant we simply walk out and find a new one.  Hard to do at 20,000 feet or when the bank holds your mortgage for the next 5 years.

While waiting a half hour for a manger at ticket desk I got to witness first hand some unbelievable actions by ticket and line agents.  It was clear what their job was to them…move people as quickly as possible.  With no regard that the 50% of the people were jet lagged, confused, lost and not to mention tired.  The comments the agent made were down right nasty and it was clear that she had no regard to what people were feeling or thinking.  Her job was to move the line, so she made it move.  If you didn’t move because you had questions, you were sent to “special services”.  She joked to her co-worker about how long people would wait at the “Special Services” desk before they gave up waiting and went back into the line and “just did what they were told”. It was then I figured out the manager was not coming back…I was in a different line that had no solution.  Far from the happy, helpful agents in the airlines advertising campaigns.

What is the solution for these industries? Should we just accept that currently that is just the way the world is?  For now I guess the answer is yes, but hopefully competition strikes and someone realizes that the most essential skill their front of the line staff and policy makers need is empathy.  If everyone from the top on down had empathy for their clients I believe most of the frustration we feel would be eliminated.

At PHI we have that single belief about customer service.  Empathy. Our projects are usually very complex and require very specialized skill sets and equipment that most clients have never experienced before.  Granted our clients are not in the same situation but we still believe that we must put ourselves in their shoes at all times during a project to try and understand what they feeling to fully understand their needs and requests. Further, once a client engages us, it is our job to complete the contract as painlessly and accurately as possible.  If something goes off course, no matter whose fault, it’s our job to get back to normal, no matter what the effort.  We are here to help and solve their problems, just like banks and airlines are there to solve problems.  It’s our belief that we are here to make our clients lives easier, not the other way around.

Scott Westerlaken

Scott Westerlaken

Scott W Westerlaken

With over 25 years of award winning experience in marketing, television commercials, film, video, communications, web, radio, print, and events, Scott has the ability to maintain focus on the big picture and offer a wide range of solutions appropriate to the clients message and budget. He has been recognized with dozens of awards in business, communications, and filmmaking from around the world. For the client, this means a truly unique balance of hands on technical knowledge and high level strategic experience that always leads to unique and creative solutions.

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An Evolution In Advertising & Ads That Make You Go Hmmm.

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I just finished watching the 24th Annual London International Advertising Awards DVD. You gotta love advertising awards reels. After viewing them I always feel that maybe as advertising practitioners we are getting smarter! It’s also a very productive way to waste a few hours watching videos and calling it “research”!

There were a few surprise ads on the reel I had not seen and that blew me away, some that didn’t grab me and some that just left me shaking my head wondering why they rated so high.

The highlight 60 sec. TV spot for me was from Volkswagen. They received a gold TV win for “Dog-Fish”. I loved it on many different levels. The story telling was really well done, the acting was good, but the Visual Effects were fantastic.

Surprisingly, it didn’t win Gold for Visual Effects, that went to Evian “Rollerbabies”, which I find the close up’s of the babies looked really fake.

Truthfully the Evian ad is cute the first time you watch it then it gets more annoying each time around.

The other ad that made me go hmmm was the Nokia N96 gold winning ad “Bruce Lee-ping pong”

Interesting scene, got my attention…but really a Gold for telecommunications? It had me really wanting to see more “Bruce Lee” doing his thing rather than the two folks he was playing….Yet more Hmmmm..

There were some beautiful animation ads this year in the silver category. The Scrabble campaign “Sumo”, “Hula” and “Yoga”. All three also won a silver for original music. I like the ads but personally wonder how well they did for brand and sales.

Bakers Biscuits “Precious Biscuits” spot (silver for animation) was beautiful, but again, I hope it did something for the brand….

Another disappointment, but for different reasons was the Silver winner for Direction, Tampax, “Zack Johnson”. I really think it deserved a gold. The story telling and characters were great.

In a reverse of what the trend has been for years, the Public Service winners over all were a little week. I did like the Gold winner ECPCAT “Child Pornography”, but the silver winners Shelter, “House of cards” , Women’s Aid “Cut” and Anti-Knife Crime (OMG, really?) “Cribs” seemed weak to me.



What grabbed my attention this year was the “New” category. A “New” category?! “Entries for The NEW Category are for work that merges the power of an original idea with a relevant compelling execution. Emotionally inspirational, imaginative work, effectively creating new dialogues, creating new spaces of interaction, altering perceptions, setting new benchmarks that invite and reward at every level of engagement.”

All the winners were fantastic in execution. You got to love clients that are willing to reach out a little…The Grand LIA went to Fiat eco: Drive interesting but I loved a few others more.

“The best job in the world” by Tourism Australia really blew me away when I first heard about it and it still does.

Also the AC/DC Black Ice idea was interesting, especially the Excel spread sheet video…yup, you have to see it to believe it.

The Excel sheet can be downloaded here: http://www.acdcrocks.com/excel/

This category gave me hope that marketers are moving towards an evolution in advertising…when viewers get to a point that they don’t see advertising as advertising…..

All the winners can be found on the LIAA website, http://2009.liaentries.com/winners/ and it’s well worth a look through.  What have presented is just a very small snippet. Would love to hear back on what you liked out of the show!

SW

Scott Westerlaken

Scott Westerlaken

With over 25 years of award winning experience in marketing, television commercials, film, video, communications, web, radio, print, and events, Scott has the ability to maintain focus on the big picture and offer a wide range of solutions appropriate to the clients message and budget. He has been recognized with dozens of awards in business, communications, and filmmaking from around the world. For the client, this means a truly unique balance of hands on technical knowledge and high level strategic experience that always leads to unique and creative solutions.

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Back To The Future Of Advertising.

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Have you ever noticed that advertising goes around in circles…we all know it does.  If you look back all the way back to the 20’s and track advertising concepts and styles you will start to see trends coinciding with the economic conditions of the era. More to the point, with every economic down turn you see a return to family values and wholesomeness and how those characteristics relate to the product or brand being advertised.  Case in point the “I’d like to buy the world a Coke” campaign

that débuted February 12, 1971, or how about the “Mean Joe Green” Coke ad of 1980

and Kellogs,


or Greyhound.

All of which debuted during economic recessions.

In difficult economic times people want good news.  They want that feel good feeling. They need a friendly brand they can lean on and feel good.  I wouldn’t be surprised to see updated versions of “The Waltons”, “Family Ties” or “America’s Funniest Home Videos”…oh wait that one is still on air!  Of note though, all were created when a down-turned economy left folks wanting to feel better.

So what does it mean?  It means we should be ready for lots of heart-warming family value spots and scheduled programming that reflects the times. It also means that if your marketing is not paying attention to what is going on in the typical family then you might be missing out.

SW

Scott Westerlaken

Scott Westerlaken

With over 25 years of award winning experience in marketing, television commercials, film, video, communications, web, radio, print, and events, Scott has the ability to maintain focus on the big picture and offer a wide range of solutions appropriate to the clients message and budget. He has been recognized with dozens of awards in business, communications, and filmmaking from around the world. For the client, this means a truly unique balance of hands on technical knowledge and high level strategic experience that always leads to unique and creative solutions.

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Shoot the messenger?

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Scott Westerlaken

Scott Westerlaken

Despite popular opinion to the contrary, the Internet has not killed traditional TV advertising as a viable medium to promote products and services. In order to survive though, the network and local station approach to TV advertising that has to change in order to improve viewer engagement.

It’s no secret that ad revenue is WAY down.  Now part of this is the Pull(getting the programming you want now) versus Push (you watch what the network broadcasts) of the under 40 generation. Looking at this from a bigger picture, this is not the first time a medium has faced adversity and survived.  Think of the theatres during the eighties and the VHS revolution then radio with tapes and 8 tracks.  They all survived by figuring out the core value of their proposition, experience and entertainment.  TV can still AND IS doing that! The true reason TV is suffering is because the Networks and mostly the Local Stations are killing their own business by running bad ads, thus ruining the package for the audience.

Fundamentally we don’t mind watching for ads. Come on, think about it!  There are a number of tv shows that show nothing but the best or funniest ads from around the world.  Every year the Cannes and London International Awards reels tour major city theatres.  People will actually go to a theatre of all places to watch ads!  People don’t hate advertising, People LOVE advertising, if it’s GOOD!

Every time the networks and more importantly the local stations run a bad ad, they are in essence running a bad show.  In doing so they are forcing the viewer to look in other places for what they want, entertainment!

One quick cure for this is to treat the ad space with the same value as they treat the rest of the air time for programming.  This now puts a greater value on the space as people will want to watch (just like the show they tuned into did) and could also increase the monetary value placed ON the air time!  You are also giving the audience a complete experience rather than an incomplete one.

Unless the Networks and Local Stations put a higher value on the ad space, why should the media buyers and audience?!

SW

With over 25 years of award winning experience in marketing, television commercials, film, video, communications, web, radio, print, and events, Scott has the ability to maintain focus on the big picture and offer a wide range of solutions appropriate to the clients message and budget. He has been recognized with dozens of awards in business, communications, and filmmaking from around the world. For the client, this means a truly unique balance of hands on technical knowledge and high level strategic experience that always leads to unique and creative solutions.

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East, West and in the middle.

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I’ve had the good fortune to work in three completely different markets. I started my career in Toronto, then Vancouver, then Halifax and now back in Toronto. Scott has asked me to write about how things differ in Toronto compared to the Halifax market. Here are three things that stand out to me but I’m sure there are others.

The number one difference I’ve noticed since moving back to Toronto is how much more competitive it is. You can’t be a seat warmer, you have to produce or you’ll be replaced. There is no room for laziness. People come and go quickly around here.

The second thing is how much bigger the budgets are. We had to be much more resourceful in Halifax to produce good work on shoestring budgets. I’m always amazed when I hear people complaining about how small the budget is because we would make it happen for half that in Halifax and still produce solid work.

The final thing that separates Toronto and Halifax is the number of options that exist in the Toronto market. It’s great to have so many choices and it keeps it a very competitive place. Competition is a good thing.

Mike Jones / Art Director

Since 1998 Mike has worked for top agencies in Toronto, Vancouver and Halifax. Over the years he has gained valuable experience working on a wide range of clients. Currently he works at Due North Communications for clients such as: LCBO, Goodyear, H&R Block and 3M.

Mike has been recognized at many national and international award shows such as: Marketing, ADCC, National Advertising Awards, Applied Arts, Extras, New York Festivals, London International Awards and the Bessies to list a few.

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